Chevelle delivered a commanding headlining performance on September 3, 2025 at the Red Hat Amphitheater in Raleigh, NC. Formed in Grayslake, Illinois in 1995, the Loeffler brothers have built a career that’s spanned three decades, with landmark albums including Point #1, Wonder What’s Next (double-platinum), This Type of Thinking (Could Do Us In) (platinum), Vena Sera, Sci-Fi Crimes, Hats Off to the Bull, La Gárgola, The North Corridor, NIRATIAS, and their latest release Bright as Blasphemy (August 15, 2025) on Alchemy Recordings. Singles “Rabbit Hole (Cowards, Pt. 1)” and “Jim Jones (Cowards, Pt. 2)” have already cemented themselves in the setlist, sitting alongside fan anthems like “The Red” and “Send the Pain Below.” Their 38-city “Rock the Nation” tour, produced by Live Nation, stretches across the U.S. from San Antonio to Washington state, stopping in New York, Chicago, Los Angeles, and other major markets. In Raleigh, the crowd met every down-tuned riff with thunderous voices and restless movement, while the stark stage design and tightly choreographed lighting pulled every song into focus. Their longtime front-of-house engineer kept the mix sharp and heavy, giving Pete’s vocals and Sam’s drums the punch fans expect. Merchandise featured new album artwork across shirts and hoodies, along with vinyl editions that vanished quickly. Behind the curtain, the Loefflers were as meticulous as ever, quietly checking in on details to keep the machine running. Official site: getmorechevelle.com.

Chevelle

Dead Poet Society opened the evening with raw urgency and made the most of their stage time. The Los Angeles-based band has been steadily building a reputation with their album -!- and a growing fanbase that thrives on their blend of alt-rock and grunge-tinged dynamics. In Raleigh, they played with sharp energy, feeding off the first wave of crowd enthusiasm. Fans pressed up against the rail were already shouting lyrics back, proving that their early impact has been real. The set was backed by aggressive white strobes that matched their jagged rhythms, while the soundboard crew gave them a clean, cutting mix. Their merch—logo tees, stickers, and small accessories—was affordable and sold briskly. Offstage, the band’s willingness to mingle with fans and pitch in during setup has earned them a reputation for humility and work ethic that’s carried them further than most newcomers this early. Official site: wearedps.com.

Dead Poet Society

Asking Alexandria followed with the confidence of veterans who know how to hold an amphitheater crowd.Formed in 2003, the English group has released eight albums including Stand Up and Scream, Reckless & Relentless, From Death to Destiny, The Black, Asking Alexandria, Like a House on Fire, See What’s on the Inside, and Where Do We Go From Here? (2023). Their evolution from metalcore roots to a broader hard rock sound has kept them relevant, earning chart placements and critical recognition. At Red Hat, Danny Worsnop’s vocals soared over surging guitars, with fans shouting every word and waving hands in unison. Their lighting design leaned into color contrasts, flooding the stage with warmth during ballads and sharp blues and reds for heavier songs. Their FOH engineer kept the set balanced, giving weight to the rhythm section without drowning out melody. Merch included deluxe vinyl, wristbands, and photo book packages, with part of the proceeds directed toward a mental health charity the band continues to support. Their crew confirmed backstage that this commitment has become part of their nightly routine. Official site: askingalexandria.com.

Asking Alexandria

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