Mark Speer of Khruangbin

Under the canopy of stars of our soon to be re-born Red Hat Amphitheater in Raleigh, NC, Khruangbin, supported by John Carroll Kirby, wove a sonic tapestry that resonated with the deep rhythms of the collective unconscious. The open-air venue, nestled amidst urban architecture, provided an expansive yet intimate atmosphere where the audience, a diverse mosaic of music aficionados, gathered. With the amphitheater’s capacity to hold several thousand, of which was sold out for this performance, the crowd was a blend of young and old, reflecting the timeless and borderless appeal of Khruangbin’s music. The stage, bathed in a spectrum of vibrant hues, was adorned with minimalist decor, allowing the band’s visual artistry to shine through. As the ethereal notes of Kirby’s synthesizer floated through the air, the lighting effects danced, creating a dreamlike aura that blurred the line between reality and myth.

Khruangbin’s performance was a masterclass in technical precision and stage presence. Laura Lee’s basslines, Mark Speer’s intricate guitar work, and Donald “DJ” Johnson’s steady drumming converged into a harmonious symphony that was both transcendent and grounding. They moved through their setlist, featuring tracks from their latest release, “Mordechai,” and their recent collaborative EP with Leon Bridges, “Texas Moon.” Each note and rhythm was executed with a precision that showcased their virtuosity, yet their interaction with the audience remained warm and engaging. The crowd responded in kind, swaying and dancing to the infectious grooves. The energy of the performance was palpable, a shared heartbeat that united everyone in attendance. As the final notes echoed into the night, it was clear that Khruangbin and John Carroll Kirby had not just performed but had woven a shared mythic experience, leaving an indelible mark on the souls of those present.

Khruangbin

John Carroll Kirby